THEORETICAL BASIS OF THE PERFORMANCE OF TRADITIONAL SINGING WORKS OF THE XXI CENTURY
DOI:
https://doi.org/10.37547/ibast-02-11-29Keywords:
Traditional singing, pedagogy, opportunities, music education and artAbstract
In this article, there are opinions about the theoretical and practical features of the performance of traditional singing works. Also, pedagogical opportunities in teaching traditional singing works and musicologists and scholars who have worked on traditional singing information about.
Downloads
References
I. Rajabov "Maqomlar" 2006. 12 - p
T. Ismailov; "CHARACTERISTICS OF KHOREZM DOSTON ART" "Ekonomika i sotsium" №3(82) 2021;
O. Ibrohimov "Creation of Uzbek folk music" 1994
Shakhlo Khakimovna Kharatova "USE OF INNOVATIVE TECHNOLOGIES IN THE EDUCATIONAL PROCESS" Science and Education ISSUE 3, March 2022;
Mamirov K. Community singing and singing - Tashkent, Ilm-Ziya, 2012.
Downloads
Published
Issue
Section
License
Copyright (c) 2022 Rahmatova Gulshan Sunnatullo Qizi

This work is licensed under a Creative Commons Attribution 4.0 International License.
Articles published in this journal are licensed under the Creative Commons Attribution 4.0 International License (CC-BY 4.0). Under this license:
- Share: Copy and redistribute the material in any medium or format
- Adapt: Remix, transform, and build upon the material for any purpose, including commercially
Attribution required: You must give appropriate credit, provide a link to the license, and indicate if changes were made.
License URL: https://creativecommons.org/licenses/by/4.0/
Authors retain copyright of their work while granting the journal first publication rights.