NATIONAL CULTURAL SYSTEM AND THE SOCIOLOGICAL DIFFERENTIATION OF FOLKLORE AND POST-FOLKLORE FACTORS

Authors

  • Asqarova Adolatxon Mamatxonovna Senior Lecturer, Department of Sociology and Social Work, Fergana State University
  • Pulatova Nigoraxon Rahimjononovna Senior Lecturer, Department of Sociology and Social Work, Fergana State University

DOI:

https://doi.org/10.37547/

Keywords:

folklore, post-folklore, national culture, sociological analysis, collectivity, sinkretizm, cultural transformation, ritual folklore, professional art.

Abstract

This scientific article analyzes the structural correlation, social functions, and dynamic transformation processes of traditional folklore and post-folklore phenomena within the national cultural system from a sociological perspective. The research explores the syncretic nature of folk creativity, its collectivity, and anonymity features, as well as the patterns of its adaptation to new social environments resulting from modern technological advancements. Furthermore, the paper provides a comprehensive academic justification for the dichotomy between folklore and professional art, along with the foundational factors driving the emergence of post-folklore under the conditions of intensive urbanization and digital culture expansion.

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References

1. Imomov K., Mirzaev T., Sarimsoqov B., Safarov O. Uzbek Folk Oral Poetic Creativity. - Tashkent: O‘qituvchi, 1990. - pp. 4-14.

2. Mirzaev T. Uzbek Folk Art // Republic of Uzbekistan. Encyclopedia. - Tashkent, 1997. - pp. 512-516.

3. Jalolov G. Some Remarks on the Term Folklore // Enlightenment of Folk Wisdom. - Tashkent, 2000. - pp. 13-20.

4. Neklyudov S. Yu. After Folklore // Zhivaya Starina. 1995. — No. 1. — pp. 2–4.

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Published

2026-06-24

How to Cite

NATIONAL CULTURAL SYSTEM AND THE SOCIOLOGICAL DIFFERENTIATION OF FOLKLORE AND POST-FOLKLORE FACTORS. (2026). International Bulletin of Applied Science and Technology, 6(6), 553-556. https://doi.org/10.37547/

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