The goal of this article is to examine the image of the Orient in Marlowe’s “Tamburlaine the Great”. The author analyzes how this image corresponds to the historical Tamburlaine and the East of his time; how Marlowe represents relations between the Oriental and European worlds as well as how appropriate it is to put this Marlowe’s play (and, generally, works by his contemporaries) into the Post-colonial discourse that is popular nowadays.

C. Marlowe; Tamburlaine; Orientalism; postcolonial studies; English literature; Renaissance English drama

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