PROBLEMS IN PIANO PERFORMANCE OF VOCAL ART (POP SINGING) STUDENTS AND THEIR SOLUTION

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Karimova Dilnur Shuhratdjon kizi

Abstract

This article analyzes the specific features of teaching piano to student musicians of various specialties, the purpose and task of the "piano" course is based on their application to this contingent of students, the need to activate an individual approach to teaching is based on this. The article defines the concept of "fundamentals of piano culture" in relation to a contingent of students of various specialties (pop singers), developed pedagogical conditions and methods that activate an individual approach to the education of this contingent of musicians, contribute to the effectiveness of achieving the set goals.

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How to Cite

PROBLEMS IN PIANO PERFORMANCE OF VOCAL ART (POP SINGING) STUDENTS AND THEIR SOLUTION. (2023). International Bulletin of Applied Science and Technology, 3(12), 117-120. https://researchcitations.com/index.php/ibast/article/view/3254

References

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Nyrkova V.D. Piano course for musicians of various specialties. M.: Muzyka, 1988. 48 p.

Tsypin G. M. Performer and equipment. M.: Academia, 1999. 183 p.

Barenboim L.A. In the lessons of Anton Rubinstein. M.; L.: Music, 1964. 98 p.

Kagan M. S. Education, upbringing, culture // Kagan M. S. Izbr. tr. in 7 volumes. T. 3: Works on the problems of cultural theory. St. Petersburg: Petropolis, 2007. 756 p. pp. 660–663.

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