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NATIONALITY IN STREET ART

Satorov Farid Farkhodovich , teacher of the Department of "Majestic Painting" of the National Institute of Painting and Design named after Kamoliddin Behzod

Abstract

This article discusses nationalism in street art, how street art has evolved from early forms of graffiti to a more commercial form of art, the origins of street art, and that streets leading to tourist spots should be painted with graffiti based on the spirit of national culture.

Keywords

street art, nationalism, graffiti, civilized society, classic master.

References

Bengtsen, P. Street Art World. Lund: Alemendros de Granada Press. 2014.

Lewisohn, C. Street Art, the Graffiti Revolution, London: Tate publishing. 2008.

Milnor, K. Graffiti and the Literary Landscape in Roman Pompeii, Oxford: Oxford University Press. 2014.

Beale, S. First Against the Wall. Arena Magazine, January 2004.

Derwanz, H. Street Art Karrieren. Bielefeld: Transcript. 2014.

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How to Cite

NATIONALITY IN STREET ART. (2022). International Bulletin of Applied Science and Technology, 2(11), 201-202. https://researchcitations.com/index.php/ibast/article/view/290