NATIONALITY IN STREET ART

Authors

  • Satorov Farid Farkhodovich teacher of the Department of "Majestic Painting" of the National Institute of Painting and Design named after Kamoliddin Behzod

Keywords:

street art, nationalism, graffiti, civilized society, classic master.

Abstract

This article discusses nationalism in street art, how street art has evolved from early forms of graffiti to a more commercial form of art, the origins of street art, and that streets leading to tourist spots should be painted with graffiti based on the spirit of national culture.

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References

Bengtsen, P. Street Art World. Lund: Alemendros de Granada Press. 2014.

Lewisohn, C. Street Art, the Graffiti Revolution, London: Tate publishing. 2008.

Milnor, K. Graffiti and the Literary Landscape in Roman Pompeii, Oxford: Oxford University Press. 2014.

Beale, S. First Against the Wall. Arena Magazine, January 2004.

Derwanz, H. Street Art Karrieren. Bielefeld: Transcript. 2014.

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Published

2022-11-26

Issue

Vol. 2 No. 11 (2022): International Bulletin of Applied Science and Technology

Section

Articles

License

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.

How to Cite

NATIONALITY IN STREET ART. (2022). International Bulletin of Applied Science and Technology, 2(11), 201-202. https://researchcitations.com/index.php/ibast/article/view/290

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