THE ROLE OF THE FLAY IN CENTRAL ASIAN MUSIC CULTURE
DOI:
https://doi.org/10.37547/Keywords:
flute, wind instrument, national instruments, maqom, philosophy of mysticism, ethnomusicology, traditional performance, breathing technique, musical heritage, national identity.Abstract
This article provides a comprehensive and profound analysis of the role of the flute, one of the oldest wind instruments that has existed in the musical culture of Central Asian peoples since ancient times. The main focus of the research is on the three-layered essence of the flute: first, its material-technological aspect, that is, the material of manufacture, structure and acoustic properties; second, its socio-functional aspect, that is, its place in the way of life of the people, in ceremonies, in the art of maqom; third, its spiritual-symbolic aspect, that is, its symbolic meaning in the philosophy of Sufism and classical Eastern literature.
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