COMPARATIVE ANALYSIS OF NAZAR ESHONQUL’S STORY “PICTURE OF A RUINED CITY”

Abstract

In this article, it will be discussed that the nationality of the characters in Nazar Eshanqul’s stories, which are essentially continuations of each other, the mysterious presentation of events through means, sometimes behind the scenes with gestures, most importantly, the narration of the events in his works from the language of “I” and self-examination and analysis, confession of one’s sins deserve to be studied as a new methodological direction in literature, not only in Uzbek storytelling during the period of national independence, but also in our prose as a whole.