ARTISTIC INTERPRETATION OF THE MOTIFS OF IGNORANCE IN UZBEK AND TURKISH NOVELS
DOI:
https://doi.org/10.37547/Keywords:
ignorance, artistic motif, uzbek novels, turkish novels, social critique, enlightenment, realism, cultural backwardness, identity, comparative literature.Abstract
This article explores the artistic portrayal of ignorance as a literary motif in selected Uzbek and Turkish novels. Through comparative analysis, the study examines how ignorance—whether manifested as cultural backwardness, lack of education, or societal apathy—is depicted by authors as both a personal and collective challenge. Uzbek novels such as Abdulla Qahhor's Sarob and O'tkir Hoshimov's Dunyoning ishlari, and Turkish novels like Orhan Kemal's Bereketli Topraklar Uzerinde and Yasar Kemal's Ince Memed are analyzed. The analysis reveals that both literatures use ignorance not merely as a symptom of underdevelopment but as a symbolic force that shapes identity, power dynamics, and resistance. The findings suggest that artistic representations of ignorance serve as a vehicle for social critique and a call for enlightenment in both societies.
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References
1.Ahmedov, M. (2019). The Expression of Social Consciousness and Critical Thinking in Uzbek Prose. Tashkent: Akademnashr.
2.Yılmaz, H. (2018). “The Theme of Ignorance and Enlightenment in the Turkish Novel: A Study in the Context of Social Realism.” Journal of Turkish Literary Studies, 22(2), 135–148.
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5.Qosimova, D. (2022). Social Realism in Uzbek Literature: Analysis and Interpretations. Samarkand: Imkon Press.
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