THE ROLE OF KHORAZM DUTOR MAKOMS IN UZBEK MUSIC CULTURE

Authors

  • Jumabayev Ogobek Otabek ugli Urgench State Pedagogical Institute 1st year master's student, majoring in “Mmusic education and art”
  • Rakhimov Botir Research supervisor: (Phd) Urgench State University Head of the Department of Music Education

Keywords:

Music culture, Khorezm art, Dutor makom, folk art, musical instruments and singing.

Abstract

This article contains a scientific discussion about the importance of Khorezm dutor maqams in Uzbek music culture and Uzbek maqam art. Information about the description of Khorezm statuses is also provided.

Downloads

Download data is not yet available.

References

Бобожон Тарроҳ Азизов Ходим. Хоразм навозандалари. – Т.: Ғ.Ғулом, 1994.

Матёқубов О. Мақомот. – Тошкент: Мусиқа, 2004.

Матёқубов О., Болтаев Р., Аминов Ҳ. Ўзбек нотаси. – Т., 2007.

Ражабий Ю. Музика меросимизга бир назар. – Т., 1978.

Ражабов И. Мақомлар. – Т., 2006.

Xorazm klassik musiqasi, T., 1939;

Oʻzbek xalq musiqasi, 6 jild., Tashkent., 1958

Downloads

Published

2023-06-21

Issue

Vol. 3 No. 6 (2023): International Bulletin of Applied Science and Technology

Section

Articles

License

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.

How to Cite

THE ROLE OF KHORAZM DUTOR MAKOMS IN UZBEK MUSIC CULTURE. (2023). International Bulletin of Applied Science and Technology, 3(6), 1114-1117. https://researchcitations.com/index.php/ibast/article/view/2104

Similar Articles

1-10 of 655

You may also start an advanced similarity search for this article.