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VISUAL ARTS IN ANIMATED FILM PRODUCTION

Talabbayev Rustam , State Institute of Art and Culture of Uzbekistan Department of Sound Engineering and Camerawork

Abstract

The article is devoted to a relevant problem of synthesis of visual art and cinematography in the context of post-culture. The paper introduces the author's original methodology of working on animation project; the project itself is considered as an important tool, which allows solving both educational and cultural-educational tasks. Analysing artistic space formation in domestic animation projects, the author outlines prospects for further studies of interaction of plastic arts and cinematography in the process of animation of pictorial and graphical works.

Keywords

avant-garde art; animated version; animation project; artistic space; synthesis of visual art and cinematography.

References

Voronova A. V. The experience of collective work of students and schoolchildren in the joint innovative multimedia project "Museum: frame by frame - 3. Avant-garde history" of the State Russian Museum and the Department of Computer Graphics and Design of St. Petersburg State Institute of Cinematography // Innovative materials and technologies in design: abstracts IV All-Russian scientific and practical conference with the participation of young scientists. St. Petersburg: SPbGIKiT, 2018. S. 91-92.

Neretina A. V. Cinematography and painting: a comparative cultural and philosophical analysis: author. diss. ... k. philos. n. SPb., 2010. 25 p.

Fomina V. A. Dramaturgical models of modern animation (on the material of puppet cinema): author. diss. ... to. claim. M., 2012. 28 p.

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VISUAL ARTS IN ANIMATED FILM PRODUCTION. (2023). International Bulletin of Applied Science and Technology, 3(4), 61-63. https://researchcitations.com/index.php/ibast/article/view/955